Seven Years of Secrets Won an Award!

Seven Years of Secrets is an award winner!

Seven Years of Secrets is the winner of the Contemporary Romance Short Stiletto Award from Contemporary Romance Writers

Seven Years of Secrets is my tribute to the fast-talking, sparks flying screwball comedies of the 1930s/1940s, although with more emphasis on romance than the screwball comedy. My inspiration was the classic Howard Hawks film His Girl Friday starring Cary Grant at his suavest best and the incomporable Rosalind Russell. I borrowed the idea of rival journalists and former lovers, although Declan and Mara are very different from Walter and Hildy (and they weren’t married, just a passionate college fling), and I got rid of the current love interest for Hildy after toying with the idea. But I only had 50,000 words to play with, and so the story was focused rather tightly on just Mara and Declan and their second chance.

Seven Years of Secrets was originally meant to be the second book in a four book series, but it ended up being the second and last book in The Heirs of Lochlainn duology and also my last book for Harlequin Desire, which sadly is no more. But I’m very excited to write for Afterglow, a brand new imprint from Harlequin - stay tuned for more news!

Buttery Id Couples: the first in an occasional series about the fictional couples who made me love romance

As a writer and someone eternally fascinated by stories, I am constantly looking for new methods and avenues to improve my craft and understanding of what makes stories, well, stories. Why do these fictional tales so affect us, change us, help inform our world view?

Two concepts that resonate with me about why certain stories hit so hard and stick with us long after they are concluded stick are 1) Theodora Taylor's "butter" - the delicious universal fantasy ingredient that triggers the reader's salivia glands and leads to us making "grabby hands" as soon as we hear the synopsis - and 2) Dr. Jennifer Barnes's research on fandom psychology and “id lists” - the items in a story that feed your "I want" subconscious that doesn't think, just feels. 

So I decided to take a look at the fictional love stories upon which I imprinted upon as a child, teen and young writer, and the newer ones that continue to fascinate me as a consumer of media. I’m an omnivore devourer of media, so my influences include not only novels and films, but soap operas, comic books, intellectual property universes, games, what have you.

And for my first foundation couple in this series, I am reaching back back forty years, which sounds so incredibly ancient to me, but I remember the epsiodes vividly as it were yesterday when I sat before a squat 27” television set, VCR remote in hand to stop and start recording to avoid commericals. I watched daytime dramas only for a few of my formative years but while short in timespan my love affair with the format was intense. Soaps taught me what tropes were long before the word trope entered my vocabulary, and you see the influence of soapy trials and tribulations in my novels for Harlequin Desire.

During this time I fell hard for two love stories on two different soaps. And when I thought about which fictional characters serve as my foundational templates for romance, I realized this couple and how they relate to each other is pretty much my ur romance template.

Barbara Treutelaar as Didi O'Neill Buchanan and Robert S. Woods as Bo Buchanan on ABC's One Life to Live, from the January 10, 1986 episode featuring the wedding of Bo and Didi.

Barbara Treutelaar as Didi O’Neill and Robert S. Woods as Bo Buchanan from ABC’s One Life to Live, circa 1986. Gotta love 80’s wedding dresses.

Presenting: Bo Buchanan and Didi O'Neill of the ABC-TV daytime drama One Life to Live, circa 1984-1986.

Bo and Didi might not have been the most popular couple on One Life to Live at the time - that was probably Vicki and Clint  - and since actor Robert S. Woods, who portrayed Bo, continued on the soap until its demise in 2012, Didi was far from Bo's only or longest-lived relationship. Spoiler alert: in 1988 Didi was killed off pretty definitively via electrocution - while saving Bo's life - in a scene that still devastates me whenever I recall watching it for the first time.

But before Didi sacrificed herself to save her one true love, they had one of my all-time favorite relationships on television.

The back story for anyone not watching ABC Daytime in the mid-eighties: the Buchanans were a family of Texas oil millionaries who came to the city of Llanview, Pennsylvania in the early eighties (i.e. the Dallas influence) (and the worship of oil barons on eighties American television feels so icky now). Bo Buchanan was the younger son of Asa Buchanan, the larger than life patriarch who was not above underhanded schemes to get his way. Bo's older brother Clint was married to upper class Victoria Lord, a scion of one of Llanview's most prominent families.

Bo had one of those only on a soap opera fights with his father Asa that involved being told his love at the time, Delila, was his cousin so Delila married Asa while Bo impregnated country singer Becky Lee only to learn Asa was lying about Delila so Bo and Delila got married while Asa married Becky Lee so Bo's son would stay a Buchanan - head-spinning in the best 1980s daytime drama fashion.  But then Bo learned Delila lied about something - about being pregnant, I think? I don't recall - and asked for a divorce. 

After all that Bo needed a break from his family drama, and who could blame him?

Meanwhile, One Life to Live was created by Agnes Nixon in 1968 in part as a commentary on class in American communities and originally blue collar characters were as prominent as the wealthy characters, but most of that social consciousness had faded by the eighties. Enter the working class O'Neill family for a return to the show's roots: father Harry and his three daughters Didi, Connie and Joy. Harry worked at Lord Manning, a factory that made...something...along with Didi and Connie, while Joy was still in school. 

Shenanigans were afoot at Lord Manning, so Bo decided to go undercover as "Bill Brady,"  an ordinary Joe blue collar guy, where he fell in love with the entire close-knit O'Neill clan. The feeling was mutual and Harry thought nothing of having "Bill" live with him and his three very attractive daughters, which for a morally conservative Irish Catholic father seems a bit incredulous but hey, Bo was a gentleman. And besides, after a flirtation with Connie that went nowhere, he and Didi were obviously meant for each other - if only she weren't engaged to the incredibly shady Mark Pemberton, who was only one of the many roadblocks to their relationship. However, the real obstacle to Bo and Didi's happiness was their difference in class status. Didi was certain she couldn't fit into the Buchanan world of money and scandal and one life-threatening crisis after another. Bo wanted nothing more than to marry Didi, but he also wasn't about to turn his back on helping his family or buddies when they were in trouble - and since this is a soap, there was a LOT of trouble. The couple would fall in love, become engaged, break up, and finally marry after eighteen months of soapy twists and turns.

Bo and Didi slot neatly into the Cinderella trope. The Cinderella butter is all over their love story, the kind and virtuous blue collar worker courted by the handsome wealthy prince, who wasn't going to let ill-meaning stepsisters (in Bo's case, his father and his ex-wife) interfere with true love. The fairy tale allusions were both implicit and explicit, from Bo whisking Didi off to a magical stay in New York City early in their courtship to a fairy tale wedding (marred by a hitman apparently killing Bo right after the vows, but hey, worse things have happened on soap weddings) to Didi telling Bo with her last breaths that he had always treated her like a fairy tale princess and made her life a storybook.  

But aside from Cinderella, here's why the relationship hit my id so hard: Bo always, always believed in Didi. Believed in her more than she believed in herself at times. Didi was courageous and optimistic and served as her family's glue. She had ambition. She could put on a brave stiff upper lip better than anyone. But she also lacked self-confidence in her own capabilities. 

Bo never doubted. Even when they were broken up - because of Didi's insecurities, which Bo did nothing to alleviate by always dropping whatever he was involved in to help others, including their first attempt at a wedding - Bo believed in her. When Didi finally called off their first engagement for what she thought was for good, she began a friends to lovers relationship with Rafe Garretson, Bo's police detective cousin.  Rafe appeared to be everything Bo was not: a committed family man, someone with a proper respect for personal safety despite working in law enforcement while Bo threw himself into danger, a partner who would come home every night without fail. Meawhile, Bo was scampering to Arizona and Venice and into innumerable perilous situations, and communication was not his strong suit when performing feats of derring do (ah, the days before cell phones and texting!). But the real contrast between the two men could not be more apparent when Rafe demanded Didi stop running for president of Lord Manning so she could concentrate on their relationship, while Bo - still barely on speaking terms with her for some other soapy reasons - campaigned on her behalf as a former Lord Manning worker and threw her a campaign party because he knew she could make a difference.

Didi was later blinded in an accident, and when it looked like her blindness was permanent she fell into a depressed, pessimistic state. Bo never let her give up on herself and on them as a couple, even when she did her very best to push him away...and away...and away. This storyline could have gone badly off the rails as it could’ve been interpreted as Bo not listening to Didi, not taking no for an answer, and forcing his will on her. However, the story (and the actors, whose chemistry was perfection and their performances sold the scripts) made it clear Bo respected Didi's boundaries - but because he knew her so well, he knew how to help her push past her self-doubts. He never made fun of or belittled her fears, but acknowledged her feelings as valid while also pointing out where she was letting those fears and doubts hold her back.

As for Didi, she wasn't going to be a pushover just because Bo was a Buchanan. She gave as good as she took in their interactions. She wouldn't stand for being babied or condescended to by anyone. Despite the difference in Bo's and Didi's class status and wealth, they treated each other as equals when it came to the relationship, with Didi fiercely maintaining her independence. 

The Bo and Didi story modeled respecting one's partner for who they are, and Didi's overarcing story was to learn to accept Bo in all his Buchanan glory - which came in handy for most of 1986. Robert S. Woods left the series in January but Barbara Treutelaar, who played Didi, was still under contract for another year. So, in the world of the show Bo and Didi interrupted their honeymoon so Bo could join an elite search party for a missing former military comrade. Didi returned to Llanview alone and popped up occasionally to give updates on Bo's infuriating inability to communicate and her need to keep the faith until finally, Didi was written out by joining Bo off screen after his mission was accomplished to restart their honeymoon. (Then Robert S. Woods rejoined the series in 1988 and Barbara Treutelaar was brought back for nine weeks for the tearjerking close to Didi's story, and I'm still not over it nearly forty years later.  I stopped watching soaps shortly thereafter, mostly due to time constraints, but that did give me a good jumping off place.)

Looking back, the id components of this formative love story from my youth are:

  • Cinderella butter, complete with balls and gowns and fairy tale touches.

  • Fiesty, spirited, independent main female character

  • Determined, confident, so in love he can't think straight main male character

  • Banter and fun (the dialogue is not the most scintillating - it's soaps, so it can be exposition heavy - but the actors sparkle together and seem to be having the best time playing off each other)

  • Respect for one's partner and knowing how to best support them

  • Believing in one's partner even when they can't believe in themselves. 

It's difficult to watch forty year old soaps today for all the obvious reasons. Cultural attitudes have shifted and while One Life to Live was ahead of its time in some ways, the show is very much a product of its times in others. Second, there isn’t a legal avenue to watch the episodes today and there probably won’t ever be one; I doubt the episodes will ever be made available for streaming due to rights and clearance issues. And One Life to Live was the middle child of ABC Daytime, the often skipped filling between the more popular All My Children and General Hospital, making it even more difficult to find vestiges of those years today. There are some clips and a handful of episodes on the internet (but also, y'know, in violation of copyright law); even photos from this era can be hard to find. But if you ever stumble across a collection of old One Life to Live VHS tapes from about May 1984-January 1986, assuming the tapes are still watchable and there's a functional machine to play them, it might be worth your time. Also, let me know, because I would love to see certain episodes again! 

Blows dust off the screen....welcome back!

Hi!

Long time, no news - well, there’s been plenty of news, but I’ve been remiss in announcing it here. Life has been hectic, as I’m sure it’s been for everyone the last two years (it’s sincerely coincidence my last post was almost two years to the day. I try not to use too many cliches as a writer but WOW, time really does fly). Hope this finds you healthy, happy, and having a terrific start to your summer.

And speaking of summer…I have not one, but two novels perfect for the beach or the hammock or to throw in your bag for when you need an escape while you’re on the go. Whether your choice of summer activity is an art museum or a theme park - I’ve got you covered!

The Heirs of Lochlainn is a two-book duology published in one convenient paperback or ebook - or you can purchase the ebooks separately! Little did Anna Stratford and Declan Treharne know that they are the biological grandchildren of multimedia tycoon Keith Lochlainn. And the wily billionaire has decided to put his two newly-found progeny against each other in a competition to see which one has what it takes to inherit his empire after he’s gone.

The official description for More Than Rivals…:

Caught between a family feud…and the white-hot fireworks between them!

Theme park mogul Ian Blackburn doesn’t believe in love at first sight. One glimpse of his new business adversary, however, is enough to make him fall in lust. Their searing night together is almost perfect…except that Anna Stratford has no idea she’s sleeping with the enemy.

Anna’s only just discovered she’s the heiress to the Lochlainn empire. Now she’s been thrown into a world filled with wealth, decadence and corporate espionage. Not to mention fireworks with a certain too-tempting billionaire. But is Ian falling for Anna…or manipulating her?

And the official description for Seven Years of Secrets:

Her job is to find the truth. His is to keep it from her…

Seven years ago, budding journalists Declan Treharne and Mara Schuyler had a sizzling fling…one that was abruptly extinguished when he stole her scoop. Now Mara’s just lost her job and Declan is offering her the opportunity of a lifetime—if she can trust him.

But the attraction they once shared is as fiery as ever, and Mara and Declan give in to it. Only, Mara doesn’t know that Declan is one of the Lochlainn billionaire heirs. And their rekindled passion is about to face the ultimate test of ambition and greed…

Purchase both in one volume or as separate ebooks! Find your preferred retailer here.

Introducing Marguerite and Evan! and More!

Who’s the Boss Now? is coming your way!

Marguerite Delacroix wants the inheritance she was promised: her family’s ancestral vineyards. She worked hard to earn the property. Instead, the vineyard and its winery were sold to tech titan Evan Fletcher.

Evan has his own reasons for buying the winery. And when he catches Marguerite breaking into his property, he realizes the alluring thief may solve at least one of his problems. He hires her to be his winemaker…

…but he may find out when hearts - and inheritances - are involved, it’s difficult to determine Who’s the Boss Now?

Available everywhere in paperback and ebook on July 27 or you can preorder from your favorite retailer now!

And in other news:


Cinderella Unmasked is a Stiletto contest finalist! Many thanks to the judges and members of the RWA Contemporary Romance chapter for the honor!

Cinderella Unmasked is out!

Cinderella Unmasked is now available now in ebook and paperback!

Cinderella Unmasked shares a few characters with my first novel, Wanted: Billionaire’s Wife but both novels stand alone.

When I was writing Cinderella Unmasked, I had no idea it would be published in the middle of a pandemic. It’s very strange to promote a book with “unmasked” in the title, but I promise you the only masks are the masquerade kind! However, the novel does include my take on the Cinderella story, with a spoonful of Romeo and Juliet/enemies-to-lovers, and there’s even a dollop of “there’s only one bed.”

Reviewers call Cinderella Unmasked "enjoyable" and saying they "couldn't put it down," with my favorite Goodreads review exclaiming, “Wow it’s simply sweet and sassy and full of charm.” (Don’t be fooled by the sweet - it’s a Harlequin Desire, after all 😉)

Here’s a tiny sneak peek:

“I don’t do this.” The deep rumble of his voice sent a cascade of tiny earthquakes through her.

“Do what?” she asked. It came out as a breathy croak.

“Kiss women I’m not in a relationship with.”

“Are you kissing someone?”

“If she says I can. May I?”

She answered by leaning closer to him on the bench and pressing her lips against his.

This was unwise, the tiny part of her brain not occupied by kissing and being thoroughly kissed in return tried to warn her. They both still wore their masks. She didn’t know his name. She didn’t know anything about him, except that he was a guest at the gala. He could be married. He could be a serial killer. He could be—

But then his strong hands reached out and pulled her to him and that tiny warning voice shut up.

You can find your favorite retailer here.

A few quick updates

Cinderella Unmasked will be available August 1!

Cinderella Unmasked cover.jpg

I hope you will like Nelle’s and Grayson’s story. Grayson made a brief appearance in Wanted: Billionaire’s Wife, but I was surprised at how much I grew to love him over the course of writing his story! And Nelle - let’s just say the cover represents her well. They both have to face family loyalties and social expectations before they can think of reaching their happily ever after, and I can’t wait for people to meet them.

 

And speaking of Wanted: Billionaire’s Wife, it’s been recognized as a finalist for several awards!

2020 Stiletto Contest Finalist published 1-1.jpg

Stiletto Contest

Finalist, Best Short Contemporary Romance

NRCA Finalist 2019 Badge Button-1.jpg

National Readers Choice Awards

Finalist, Best First Book

NERCA FINALIST 2020.jpg

New England Readers Choice Contest

Finalist, Short Contemporary Romance

Wanted: Billionaire's Wife is now available!

Well, it was available beginning in May, but yes, still available!

I started to write romance in….let’s just say a while ago. I took at class in “Writing the Romance Novel” at UCLA Extension, taught by Barbara Ankrum, and the words began to flow.

And that’s the book I sold to Harlequin Desire, right?

Well, no. That resulted in a historical romance set during the War of 1812. It’s still on a hard drive. Somewhere.

I continued to study privately with Barbara. I joined RWA. I wrote more. And more. I did NaNoWriMo. And Camp NaNoWriMo. I took additional classes in novel writing from UCLA Extension and elsewhere.

I wrote…let’s see. A chick lit novel set in Hollywood. Another historical romance that will definitely see the light of day, someday, because I’m still in love with the idea. A YA romance set in Hollywood. A new adult-ish romance set in Hollywood (there’s definitely a trend, but then they say to write what you know and thanks to my day job, I knew Hollywood). A space opera/fantasy mash-up. And I’m sure there are others I am forgetting.

Wanted: Billionaire’s Wife started as a contest entry. I received good feedback and placed second, but it went back under the bed with all the other manuscripts. Then Harlequin Desire had a submission blitz. If writers sent in three chapters and a synopsis, they were guaranteed to receive feedback from an editor. So I dusted off the old manuscript, did some polishing, and sent it in.

My feedback: They wanted to see the full!

Only one problem: the rest of the manuscript was in pretty bad shape. But the deadline for RWA’s Golden Heart contest was approaching. I used that deadline as the carrot I needed to keep my butt glued to the chair. I finished the manuscript the afternoon the contest closed.

The book went on to final and then win the Contemporary Romance: Short category.

And then I sold to Harlequin Desire!

So, long story short:

Keep writing.

Never give up.

Use contests and submission blitzes as deadlines, if you need to (although RWA ended the Golden Heart this year and has yet to announce any firm replacement, there are many other contests and opportunities for feedback)

And if you want to read Wanted: Billionaire’s Wife, you can find a list of stores here. Or find it in libraries or on Overdrive!


Quick Guide to Facebook Pages

In my other life, I'm a general business strategy consultant, with an emphasis on marketing and social media. 

The following is adapted from materials I use with clients, and on the off-chance it might be useful I thought I'd share.  It's pretty basic, and assumes the reader knows little about Facebook beyond having an account. If you're already Facebook savvy, this might be too elementary.  

This is also a case of do as I say, not as I do. I love working with other people on their social media, but I'm not the best at working on my own!


The basics:

Facebook offers two ways to connect with friends, family and the public: Profiles and Pages.

Profiles are meant for personal use.  Profiles have “friends,” and there is a limit of 5000 friends per profile. Facebook does not provide any analytics for Profiles, and you cannot advertise or boost your posts so they appear in your friends’ timelines. Security settings allow you to limit who sees the content on your Profile – you can set posts to “friends only” or even create a subset of friends. Friend requests must be accepted by you.

Pages are meant for business use.  Pages are “liked,” and there is no limit to the number of people who can like your page. Likes are automatically accepted, although you do have the option to block people if needed. Posts are also automatically public, although Facebook allows you to optimize who sees your Page posts (more about that here). One of the best features of having a Page is the suite of analytics. Facebook provides a wide range of data, from your followers’ demographics to how well a certain post performed to what time of day is best to post.

When it comes to delivery of your content to your friends/followers, both Profiles and Pages are subject to Facebook algorithms, which are determined in part by the frequency of interaction (and as soon as someone cracks the algorithm, FB changes it). However, you may find your Profile has a much stronger organic, i.e. not paid for, delivery than your Page, especially at the beginning. This is because Facebook presumes you and your friends have a personal relationship, while you and your followers have an arms’ length consumer relationship. 

Because of this, some people stopped using Pages and went back to Profiles as their primary means of communication with buyers.

However, Facebook has periodically cracked down on Profiles that act as Pages (i.e. promote products for sale). It’s their platform, their rules, so in my opinion you’re better off biting the bullet and trying to grow a Page instead of relying on your Profile.

Other advantages of Pages?

Assign page roles to helpers.  If you want to hire an assistant or a social media consultant to post for you, you can – and then you can take away the privilege when the relationship is over.

Create events.  Want to alert people to a book launch or a book cover reveal? This gives you another way to reach your audience.

“Shop Now” button.  Are you selling books from your website, or do you want to point people to Amazon or another retailer?  This button goes at the top of your Page, and you’re able to promote it.

I have a Profile and a Page – what do I post on what?

There is no rule. Some people use their Profile only as an Admin for their Page, and all their content goes there. Some people use their Page as if it were an author website – keep it tightly focused on book info and as a way to contact the author – and use their Profiles to update their followers.

Which is right for you? Depends on your author brand and your social media goals.

My preference for clients is to use the Profile for close friends and family. This is where updates about the kids and political rants and other personal tidbits go.  You have control over your post audience on a Profile, so if you want to share particularly sensitive news, you can granularly select who sees it.

The Page is your business face.  News about your books, as well as content that speaks to your author brand, go here. For example, maybe you write political thrillers, in which case talking about politics would be A-OK.  Or maybe you write medical romances, so your content includes the latest health breakthroughs.  Or you're working on a paranormal series starring ghosts, so you feature “Friday Phantasms.” 

What you post is up to you, and the factors include your comfort level, your brand, your preferred audience, and your goals. Social media is a time investment, so what would a good return on that time spent look like to you? Is it when your posts are regularly shared? Or you have over 10,000 likes? Or a tight-knit core of fans comment regularly? And then create your content strategy to focus on that goal.   

What if I don’t have a book to promote?

You can still craft your author brand. Think of your author self as another character.  What would she share on her Facebook page?  Is she funny, inspirational, educational? You want to be authentic to who you are, but you also want to give people a taste of what they will find in your books.  Use your voice.

Maybe you’ve found some great articles about writing. Or you discovered your great-grandmother’s recipe for chocolate cake and decided to make it from scratch, despite missing one or two ingredients. Or you like to play the oboe or take bike rides or explore museums.  Or you love sharing Star Wars memes. This is a chance for you to find people who like to connect with you and who will be more than happy to buy your book when it does come out.

Again, it’s up to you and the persona you want to project.  And it may take a while for you to figure out what makes you comfortable and what gets the best reaction, so use this time to experiment a little.

Can I post the same thing on both my Page and my Profile?

Sure. But be aware the Facebook algorithm is always running in the background, and if your interaction goes down because your friends/followers are tired of seeing the same content, your organic delivery of both Profile and Page will fall. 

If you do want to reach both audiences, I’ve read that Profiles should share Page posts.  In other words, post on your Page, then use your Profile to share the post on your Profile timeline. But I haven’t tested this.

Can I post the same thing on Facebook and Instagram and Twitter and…

Again, sure. It’s popular to hook up accounts so that when you, say, tweet, it’s automatically posted on Facebook.

But.

Each medium has its advantages and disadvantages, as well as its own language.  Instagram is all about the hashtag.  Twitter has a character limit.  Facebook prefers native content.

It’s a timesaver to connect your accounts, but you may not be optimizing the strengths of each platform with cookie cutter content.  Also, if you auto-update across platforms, keep in mind that social media is, well, social.  People like seeing your content, but the true value of social media is interacting with others.  So visit your accounts regularly and respond to comments, messages, etc.

Tools such as Hootsuite make it easy to auto-schedule content across various platforms, while allowing you to tweak the message to take advantage of each platform’s unique features.

You keep talking about delivery.  What does that mean?

Facebook offers two types of content delivery: organic and paid.

Organic delivery is awesome.  You post a message, Facebook delivers it to all your followers et voila! Your message is seen by your audience, no muss, no fuss (and no $$$).  Trouble is, Facebook knows having your message seen by others is valuable. 

Enter paid delivery. Facebook offers many forms of advertising: promote your page, boost your boost, etc. It’s a relatively cost effective form of advertising compared to Google AdSense or traditional media ads, and Facebook provides decent audience targeting tools. Facebook also owns Instagram, so you can use one ad account for both platforms.

Unless your Page followers are interacting with you regularly, Facebook will throttle organic delivery.  Facebook also appears to throttle delivery when you share someone else’s post and/or post an outside link.  Delivery of native content – content you uploaded directly to Facebook, such as a photo or a video -  is favored by the Facebook algorithm and in my experience, will organically reach a wider audience.

While Facebook wants you to pay for delivery, they won’t accept just any ad or boosted post. They want the overall experience to be a good one, and in their experience ads with lots of text decrease enjoyment. Facebook will massively throttle delivery or even refuse to take ads that don’t meet their standards.  The old rule was text can’t be more than 20% of the image, and that’s still a good guideline.  You can check if your image meets Facebook’s text to image proportion requirements here.

Facebook does make an exception for book covers.  For more information on what Facebook will or won’t deliver, go here

Fine, fine, but how do I build audience?

One person at a time.

Joking…but not really.

The best way to build followers, although slow, is organically.  The people who find your Page on their own are there because they want to be, and they are your most receptive audience.  Otherwise:

  • Invite your Profile friends to like your page. On the right sidebar on your Page, in the second box, you’ll see a link that will let you send an invitation to whoever you select.
  • Are your friends and family your biggest cheerleaders? Ask them to post about your Page on their timelines. Sometimes it’s easier to have someone else ask for likes than to ask for them yourself.
  • Do you belong to various Facebook groups? Do the groups allow self-promotion? Post a message asking for likes. 
  • Do you self-publish? Make sure there is a link to your Facebook page in your book’s back matter.
  • Do you have an email list? On your next newsletter, provide a link to your Facebook page and ask for likes. 
  • Make sure you have links to your page on your website, on your RWA page(s) – both national and chapter(s) - and in your email signature. Put it on your business cards.  Add it to your Goodreads profile. In short, if you have a presence elsewhere and it provides a means to list your social media networks, list away!

 

But those people have heard about me. What about people who don’t know I exist - yet?

Contests:

Facebook does not allow you to run contests that use Facebook as a means of entry (e.g. “Leave a comment on this post and be entered to win”).  However, you can use Rafflecopter to run a contest that encourages people to visit your Facebook Page (and hopefully like it) as a means of entry.  Disclaimer: make sure your contest follows all applicable laws and is not considered an illegal lottery.  In other words, don’t force someone to purchase an item to win.

Publicity:

Have you been invited to guest blog or to write a guest article for a newsletter? Is your local paper writing an article on hometown writer makes good? Mention your Facebook Page and ask for digital versions of the article to link to it. 

Advertising:

Pay Facebook to promote your Page. In my experience, this increases the numbers of likes substantially, but whether those likes are your ideal audience and they will be receptive to your content is a murkier matter.  Carefully choose your message, image and who you target for ad delivery.

This goes without saying, but never respond to “I can increase your Facebook likes by 2000%!” offers.  All that does is increase the bank balance of a click farm.

I have a metric ton of likes – so now I’ll sell lots of books!

 Um….

Social media can be very beneficial, but it’s not an ideal sales tool.  It’s an engagement tool.  Social media allows you to find your tribe, your ideal readers, your sticky fans (in that they will follow you from book to book.  Not that they need a shower).

But while advertising on Facebook can work (and for how to apply it to book sales, Mark Dawson’s course is highly recommended - and he’ll be at RWA in Orlando), people get annoyed at seeing ads disguised as timeline content over and over on social media.

The rule of thumb is 80/20: eighty percent of your social media content should be non-promotional in nature.  And the best content provides some sort of value: it makes people laugh, or think, or dream. 

The other twenty percent can be promotional: cover reveals, events, book launches, announcement of pre-sale and on-sale dates.  But keep in mind people might not be in the mood to buy when they visit Facebook, or Twitter, or Instagram – they might just want to watch pretty images go by on their timeline and find out if their cousin finally got engaged.  So in addition to social media, you should think about adding a direct sales tools such as a newsletter to your marketing arsenal. 

 

News!

I'm happy to announce my short story, "The Santa Shack Up," will appear in the upcoming holiday anthology Holiday Ever After, published by LARA (Los Angeles Romance Authors) RWA.

While A Duke to Remember is Regency historical romance, "The Santa Shack Up" is set today. Lizzie Sandoval is nineteen and living at home. Her father had a stroke right before Lizzie was to leave for college, and she stayed behind to help the rest of her family run their holiday tree farm. Now it's the Christmas after high school graduation and Lizzie's former classmates are returning home for the holidays - including Lizzie's lifelong crush, football hero Sean Boswick. 

Here's a sneak peek:

“Santa needs to have his wig on, his stomach stuffed and his butt in the chair. Now. Children will arrive any minute," I say.

Sean turns his head and looks in my direction. His gaze stuns me, almost more than when he first showed up. As long as I’ve known him—so, pretty much my entire life—Sean has been confident. Bold. Secure in himself. I floundered pretty badly when I ran smack into puberty, but Sean? Never.

When his eyes meet mine, he’s seems…defeated. Ashamed, even. The ground beneath my feet feels like it’s shifting, as if I’m trying to stand on one of those giant inflatable balls they have at gyms. Sean and I aren’t friends. Not even on Facebook, much less Snapchat. But knowing he was out there, sailing smoothly through life, was kind of my rock. The one thing in my life that makes sense and would always make sense.

If Sean Boswick feels lost, what chance do any of us have at finding firm ground?

He abruptly pulls his gaze away from mine. I can almost hear the pop as our gazes disconnect. “I know the drill.” He tugs the wig down over his ears and pulls up the beard. “See?”

“Hat,” I snap, trying to cover my disorientation. “And belly.” 

He crosses his arms and grabs the hem of the loose red jacket, pulling it up to reveal rock hard abs that would make a Greek statue feel inadequate. I force my hands to stay relaxed and by my side, because I’m dying to know if his muscles are as smooth and firm as they look. Just out of curiosity, of course. 

Holiday Ever After will be coming out soon!  

In the meantime, autumn may be here but you can keep the summer feeling going by reading Summer Sizzle, an anthology of hot short stories by LARA members.  On sale now!

 

 

A Very London Christmas

We spent the early part of December in London, visiting old friends and new sites.  I lived in London from 2003-2009, and this was my first trip to Europe since moving to California.  It was bittersweet to be back in Blighty. I didn't realize how much I missed the life there until I returned. Of course, life in Los Angeles is pretty swell, too!  I'm so lucky to have two places I am privileged to call home.  

Hope everyone who is celebrating has a very merry holiday!


Behind the scenes of Avon FanLit: Chapter Four

Time travel with me, if you will, back to 2006.

I'm living in London, working at a job I love.  But I've always wanted to write. My genre of choice is romance, a genre I've loved since middle school when my allowance was one Harlequin category romance a week (true story).  Then in September, Avon announces the first FanLit: an interactive writing contest, in which the editors give the prompt for a chapter of a historical romance novella, writers submit their takes on the prompt, and after two rounds of voting a winner is chosen.

I. Am. Hooked.  Soon, I am scribbling down words every free moment I can find.  Chocolate pots and creamed herring and feathers and strange things happening at midnight consume my thoughts, thanks to the creative elements we must include in our chapters.  When work sends me to Cannes, France for a trade show, I beg off after-dinner drinks so I can return to my hotel room to write.  

For the record, the bars and nightlife in Cannes are amazing.

No, I didn't win.  I finalled only once out of six chapters.  But I had a most excellent time participating.

So many amazing women were part of the first FanLit.  Courtney Milan. Tessa Dare. Manda Collins. Erica Ridley. Tiffani Clare. Darcy Burke. Carey Baldwin. Many, many more.  I was five time zones away so I wasn't very active in the contestant forum, but I learned so much (when I wasn't in awe of the company!)

Fastforward to 2015.  I'm living in Los Angeles, and I'm still writing between work assignments. A post on Facebook flies by: Avon is holding a new FanLit contest! I catch the announcement late. Only two days left to enter the first round. I throw together a first chapter heavy on backstory and "As you know, Bob" dialogue.  It's no surprise when I finish far, far down the list in the voting.

But once again: I. Am. Hooked.  Mostly because, just like the first contest, I learn so much about writing and engaging the reader.

In the first chapter, my lesson was to plunge right in.  Give the characters obstacles right away, in the here and now. Anne-Marie Rivers did a beautiful job throwing all sorts of stumbling blocks in Our Heroes' paths: He kissed her then left her behind for ten years without a word! She's now engaged to someone else! And that someone else bears a scar from a duel fought with the hero over the heroine's virtue!  All delivered in a yummy souffle of bright dialogue and skillfully drawn characters.

When the second chapter came around, I was stuck - yet again - on backstory.  But...but...if the Duke of Highclyff and the Earl of Wakefield fought a duel with pistols, why does the Earl have a scar on his face as if it came from a sword? Why is Felicity's and Wakefield's engagement a secret?  Why? Why? Why?  So again, I wrote another chapter full of "As you know" dialogue, although I do like my backstory (you might see it someday! But hopefully not in, um, an expository form).  I finished in the middle of the pack.

What I learned from Eve Marie Perry's brilliant Chapter Two: it's the characters, stupid.  And the dialogue. And originality. Eve's chapter zips and zings. It's creative and charming, with more than one surprise for the reader. I dare you not to ship Pierre the capuchin with Birdie's hat.

In the third chapter, Our Heroes were in a hot air balloon.  This set me to research. And research. And research.  I now have scads of notes on  Montgolfier vs. Charliere balloons, should anyone need them.  I researched wind speed and how long it would take to travel by balloon from London to Brighton.  I researched how 19th century balloons ascended and descended.  

I finished in the top ten, but not the top five.

Liana De la Rosa's lyrical, heartfelt winning Chapter Three taught me readers want to feel for the characters, to be swept away. This chapter was our first chance to see why Felicity and Highclyff once loved each other, and perhaps still do. Felicity could come off as unsympathetic as, after all, she was dallying in a balloon with Highclyff while engaged to another.  But Liana made her a heroine to root for.

The fourth chapter assignment: the Black Moment.  All had to appear lost for Felicity and Highclyff.  We were also tasked with getting them out of that balloon while including a locked door.

So I took the lesson from the first chapter: throw obstacles in the way.  I took the lessons from the second chapter: focus on dialogue and (hopefully) unexpected twists.  I took the lesson from the third chapter: try to make the reader feel.

So I wrote a chapter in which Highclyff and Felicity finally clear the air, only for new problems to be revealed.  I focused on what each character wanted, and why those wants were still in opposition to each other.  But I hopefully left enough room for Our Heroes to have the happy ending they deserved (and which Cheryl Tapper gave them in her winning Chapter Five, in her witty, wonderful style). 

I was shocked and awed when my Chapter Four won, and I am still gobsmacked. The writers in this contest, whether their names are on the cover or not,  are all extremely talented.  I learned from each and every one of them, and I am so privileged to be in their company.

I have no doubt the Avon FanLit Hall of Published Alumni will only continue to grow!

Other tales from behind the scenes of Avon FanLit:

Anne-Marie Rivers and Chapter One

Eve Marie Perry and Chapter Two

Liana De la Rosa and Chapter Three

Cheryl Tapper and Chapter Five


A DUKE TO REMEMBER is available in digital format for FREE!  Yes, FREE!